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about
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How and Why Protesting Works | OPRAH DAILY
On Oscar Wilde | Los Angeles Review of Books
Shannon Ebner | FRIEZE
A Museum Disguised as a Shop | Ursula
Gregg Bordowitz | BOMB
Thank God for Abortion | THE CUT
Dynasty Handbag | BOMB
Where Pride Means Protest | VICE
Purvs | QUEEN MOBS
The Subject Speaks | OUTHISTORY
Too Much Seinfeld I Guernica
This Bridge Called My Ass | NEWNOWNEXT
Visual AIDS’ Last Address | HYPERALLERGIC
2016 Writer-In-Residence | DANSPACE PROJECT
On JT Leroy | THE CUT
Frederick Weston: Happening | GORDON ROBICHAUX
Liz Collins | BOMB
The image Always Get the Last WORD | GORDON ROBICHAUX
On Sacha Yanow's Dad Band | Cooley Gallery
Sanou Oumar/Matt Paweski | GORDON ROBICHAUX
On Post-Soviet Love, Sex and Scorn | OFF ASSIGNMENT
Catastrophic Love | JEWISH CURRENTS
Elena Ferrante’s Bad Feelings | ART21
Ken Tisa: Objects/Time/Offerings | GORDON ROBICHAUX
Two Pieces | COLUMBIA JOURNAL
tbh | POETRY PROJECT
We Never Liked Her I PLENTITUDE
Ariel Scrag on ADAM | SALON
